Art Review: An Excellent Short Summer Group Show at Black and White Gallery, NYC

Black and White Gallery’s current exhibit is characteristically relevant, cutting-edge and well worth a jaunt over to the western fringes of Chelsea. Michael Van den Besselaar provocatively addresses denial and in so doing takes a casual slap at pop art shallowness. Softly photorealistic portraits of vintage television sets from the 70s – two of Asian manufacture, one European – project images of terrorist activity (a hijacked airliner, a helicopter and a trio of Mercedes 240 series sedans) from their grainy black-and-white screens. Eerier still is a set of six Weegee-esque dead womens’ faces. Bonnie Parker, Marilyn Monroe, Mother Teresa, Evita Peron and Rosa Parks are smaller in death than life; the Anna Nicole Smith portrait pans down on her, puffy and lifeless in the purest sense of the word.

Most striking of all is Van den Besselaar’s Lethal Chamber Series. Whether or not these are actual depictions of the rooms where American executioners paralyze and then inject convicts with caustic de-icing chemicals, they’re impossible to turn away from, the curtained white rooms with their gurneys and straps radiating a brutally sarcastic soft-focus light.

Also on display: all-white, lifesize gas masks by Konstantinos Stamatiou; starkly strange cross-stitch-on-canvas figures by Alicia Ross...
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